Zeitschrift | Ausgabe

London Review of Books 45 (2023), 13

Arif Ahmed​, a professor of philosophy at Cambridge University, has been appointed the UK’s first ‘free speech tsar’. The position – Ahmed’s official title will be director for freedom of speech and academic freedom – is a creation of the Higher Education (Freedom of Speech) Act, which passed into law in May. Ahmed will work out of the Office for Students and have the power of ‘monitoring and enforcing’ regulations that impose on universities and student unions a new duty to ‘secure freedom of speech within the law’ for academics, students, staff and visiting speakers. What does this mean in practice? The Act is sweeping in ambition but light on detail. It does specify that the use of university premises cannot be ‘denied to any individual or body’ on the grounds of ‘their ideas or opinions’ or ‘policy or objectives’. It also says that academic staff have the right not to be ‘adversely affected’ in university hiring and promotion as a result of exercising the right to ‘question and test received wisdom’ and ‘to put forward new ideas and controversial or unpopular opinions’.

These are baffling provisions, stemming from a conflation – now commonplace – of free speech and academic freedom. Suppose that a climate change denier wants to speak at, or be employed by, Oxford’s School of Geography and the Environment. It is presumably within the rights of Oxford’s geography dons – world experts in ecological change and crisis – to deny him a platform or a job. Indeed, that is the whole point about academic freedom: it is the freedom to exercise academic expertise in order to discriminate between good and bad ideas, valid and invalid arguments, sound and hare-brained methods. This is what academics do when we curate syllabuses, make appointments, allocate graduate places and funding, peer-review papers and books, and invite speakers. In each of these cases we are exercising our professional judgment about the intellectual worth and seriousness of other people’s ideas.

CONTENT

Amia Srinivasan
Cancelled

Letters
Adam Czerniawski, Erin Maglaque, Ian Leonard, Alexander Fanta, Philip Kitcher, Jeremy Hawthorn, Joseph Hearn, David Hammond, Russell L. Riley, David Cleary, Glenn Branch, David Zeitlyn

Fraser MacDonald
Short Cuts: What does a degree mean?

Terry Eagleton
Marx’s Literary Style by Ludovico Silva, translated by Paco Brito Núñez

Carl Phillips
Poem: ‘Two Poems’

Owen Hatherley
Fassbinder Thousands of Mirrors by Ian Penman

Rosemary Hill
Masquerade: The Lives of Noël Coward by Oliver Soden

Brigid von Preussen
At the Queen’s Gallery: ‘Dressing the Georgians’

David Trotter
Two Thousand Million Man-Power by Gertrude Trevelyan

Tom Stammers
The Artist’s Studio: A Cultural History by James Hall

Joanne O’Leary
Kick the Latch by Kathryn Scanlan

Adam Mars-Jones
The Late Americans by Brandon Taylor

Susan Pedersen
The Absolutely Indispensable Man: Ralph Bunche, the United Nations and the Fight to End Empire by Kal Raustiala

Jonathan Sawday
Fill in the Blanks

Alexander Bevilacqua
Knowledge Lost: A New View of Early Modern Intellectual History by Martin Mulsow, translated by H.C. Erik Midelfort

Diane Williams
Two Stories

Michael Hofmann
The Story of a Life by Konstantin Paustovsky, translated by Douglas Smith

Matt Foot
Diary: Children of the Spied-On

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